Rollei RPX 25 - 120 Film

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One of the most popular black and white 120 films due to it's famous rich tones and shadow detail - you will need bright sunlight or studio set-up to take advantage of it's low sensitivity but the results will be fantastically sharp and clear - especially in medium format.


Format: 120
Colour: B&W
Type: Negative
ISO: 25
Exposures: 12
Pack size: 1

To understand more about the details above you can check out our film guide or if you want some inspiration then head over to our page on choosing your next film. And if you want the full details about the film, including technical information, read about Rollei RPX over on EMULSIVE.

As a company Rollei is most famous for it's cameras - particularly the iconic twin-lens Rolleiflex - but this German-based company founded in 1920 has also had a long history of making B&W films. Unfortunately the parent company didn't survive the digital revolution of the 90s/00s but the brand survives today under licence to AgfaPhoto - who continue to support emulsions old and new.

For more information about the brand check out our bio of Rollei

Sample shots (c) artist

Where we ship

When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy your Rollei RPX Film 120 B&W ISO 25 today and dive back into the fun of 120 film photography!

The Analogue WonderLab

When you’ve shot your roll of film and are looking to get it developed and scanned, then look no further than the Analogue WonderLab!

We can process your film for you, scan it at the resolution you need, and email back the files quickly and securely.

We offer FREE tracked shipping to our lab so that you can send us your negatives with total peace of mind. And our lab team are all passionate film shooters themselves, so you know that your film will get the best possible treatment!

Head to the WonderLab page here to read more details, or add the bundled developing above when you purchase your film.

Please note that our long-term aim is to offer developing for every film that we sell, but this is a work-in-progress. For full details and FAQs please head here

How Does the Bundled Developing Work?

To make your analogue adventures even easier (and cheaper!) we’ve implemented the option to pre-pay for your processing when you buy your film. This means that you choose your developing and scanning options on this page, via the little tick-box above, and add everything to basket for an immediate 10% saving on all processing costs.

Your film will be dispatched in line with our usual shipping times (full details here) and you will also get an email with instructions on sending the film back to the WonderLab (with tracked shipping - on us!)

When you have shot the film - whether that takes you a day, month or year - you generate the free tracked postage label by following the simple instructions from the email, and pop it in the post with a note of your original order number. We’ll do the rest!

So buy the bundle and relax into the shooting process, knowing that you’ll get to see the final results from your photography, without having to reach for your wallet again.

Happy Shooting!

We send all parcels via TRACKED service - free in the UK for orders of film over £50.

This means that when you buy your film from us you will be emailed a tracking link at dispatch, and will be able to follow your parcel’s journey all the way to safe arrival.

Please note that it is not a signed service so you won’t need to be at home to receive your film, and our letterbox-friendly boxes fit through the vast majority of European letterboxes!

You will have different shipping options and costs at checkout, depending on how quickly you need your film. Please refer to the Delivery Details page for full information

Get Inspired

Visit our Wall of Inspiration to read different film reviews and see images from our talented Analogue Wonderland community.

Take a look

Customer Reviews

Based on 4 reviews
Nicholas Ambrose
Perfect for: Landscapes, Architecture
Sharing with the Film Community: No
Poor quality 120 film

I purchased this film from another supplier in 120 format. After developing every frame came out blotchy. According to Macodirect, the German exporters, it was most likely a fault with the coating of the backing paper. They have agreed to supply replacement film bu as yet have to received anything. Looking online there are other issues with this film to do with poor quality so probably best avoided, although I have used RPX 100 in 35mm format and it has been fine. Think I'll stick with Ilford FP4+ in the future.

Perfect for: Great All-Rounder, Landscapes
Lovely tones

I bought this film to try it out. First time using it. Was really impressed by the lovely black tones. Qutie contrsaty, dark in the shadows. I was shooting with small apetures so tripod/cable release is advised. Looking forwrd to try the 400iso next. Recommended.

too narrow for Paterson/AP spool

i bught this film in hope of getting some smooth photos of Liverpool's waterfront architecture. it didn't happen though. when I tried to load it onto dev spool (AP ones and Paterson one) it got stuck. after 40 min. fight i gave up. I pulled film out of light tight bag and ruined it on purpose. I tried to load it in bright light just to see what the heck is wrong? i did it after 7 - 10 attempts. did i mention i developed 135 and 120 for years with those reels? AND THEN something in my head told me - measure it! I did... %^&*^&^%!!!! 59 mils instead of regular 61!!! (thats standard 120/220 width, I checked with Ilford and Kodak). probably it would go with steel reel. don't know. or maybe i just got bad batch, don't know. checked Rollei 80s - 61 mm. so it's not common (?) VERY dissapointed

Kris Lockyear
Perfect for: Landscapes, Pinhole/Long-Exposure, Architecture
Excellent grain but very curly

I bought this film deliberately to use in my new pinhole camera as I wanted very slow shutter speeds. This worked great, and I was very pleased with the grain and the results. Highly recommended. My only issue, which may be how the film was developed (commercially) or may be the film itself, is that it is extremely curly which made it really difficult to scan. Even the fluid scan didn't work too well as the film pulled away from the glass surface.