Cinestill 50D 35mm film brings a unique slice of movie magic to your still photographs. This medium-speed daylight-balanced motion picture stock is perfect for creating beautiful cinematic images with fine grain and vibrant colours.
Whether you're a seasoned professional or an amateur photographer, Cinestill 50D offers superior performance in challenging lighting conditions, rendering true-to-life colours and exceptional detail.
Features:
- Slow speed ISO 50, perfect for bright light and studio shoots - Fine grain and vibrant colours - Motion picture film made for still photography
Benefits:
- Create stunning cinematic photos that stand out from digital images - Get the iconic look of film photography in your pictures - Bring a touch of classic Hollywood glamour to your modern-day shots
CineStill celebrated it's 5th birthday in 2017, having quickly developed a fantastic reputation world-wide for their innovative approach to fulfilling analogue needs. They are specialists in converting rolls of cinema film - designed for movies - into batches of 35mm and medium format film that can be used in thousands of cameras, and developed in any minilab in the world. Their passion is for everyday photographers to have the same access to high-quality emulsions as Steven Spielberg, Wes Anderson, Martin Scorsese, and The Coen Brothers! Sometimes referred to as Cine Still.
For more information about the brand check out our bio of CineStill
Where we ship
When you buy your camera film from us we can ship it across the UK, Europe, USA, New Zealand, Australia and Canada (more countries planned soon!) So buy your CineStill 50D 35mm Film today and dive back into the fun of CineStill film photography!
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Really happy with how this film worked out in varied light conditions. Nice textures.
S
Simon K. (Market Harborough, GB)
Perfect for:Landscapes, Architecture, Creative/Abstract, Travel, Studio work
Accreditation Handles:Simon K.
A fine film stock
Like the other CineStill film stocks, this one has beautiful colour and an almost grainless appearance. In many respects I think they are all pretty interchangeable. 800T works well in daylight if you follow the guidance and 400D performs very much like this film stock. I'll probably stick to the higher ISOs in future as they offer greater flexibility and a better chance of getting a sharp image. I shot these photos on a sunny autumn day with the sun quite low in the sky. 50 ISO was fine and didn't really cause me any problems but 400 might have given me more options with little difference in image quality--or so it seems to me.
I used this film in low light conditions and the results were surprisingly good despite the large aperture and slow shutter speeds required. Lots of reddish halation in the highlights which gives the photos an interesting look.
A really lovely film very fine grain almost not noticeable even at 100%. The colour rendition is just stunning a film for daylight and for bright but slightly overcast days. Photographs of the horse were taken on a cloudy but bright day and its yield a lovely warm tone to it. The halation I didn't find an issue in my shooting but I did see it in some of my shots. Not to my taste but I do like the images 800T produces and like the effect in this setting in low light. Overall excellent and I shall be using it again.
