Nice colours. Shot the roll with a point-and-shoot. I think it works better with landscapes on sunny days.

Believe it or not, it was the picture of Apollo that first drew my attention to Silbersalz. However, what blew my mind was the gorgeous colours of the sample photos. The 50D is an interesting proposition. If you follow the suggestion to shoot it at ISO 25, the window of adequate light can be quite limited, although the film has so much latitude that you can get away with quite a lot. I wish the ECN-2 processing didn't take so long - I had to wait just over 5 weeks for mine - but it's worth the wait. Give it a try.

I first got my hands on some Silbersalz a few years ago and it has never disappointed - whichever speed I've used. But the 50D really is special. Bags of latitude, gorgeous colours, and pin sharp. I'll usually shoot it at 25, and it is the perfect summer film.

This was my first time using a cinematic style film and I really like the results. It has a great muted colouring but really pushes the yellows which makes it great for taking photos during golden hour. It works best in a bright and sunny environment and gives a subtle 70s cinematic style to pictures. All photos taken on an Olympus Trip.

I used this film during a spring time trip to Norway. I wasn't 100% sure I'd use it as it's rated 50ISO and Bergen is typically a rainy place, but I lucked out with the weather and had stunningly bright sunny days every day. I'm so pleased I was able to explore using this film in a place as interesting as Bergen. The tones are lovely!