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nice
I love the look of my results from this, I've shot a few 35mm rolls of Metropolis but the grain of the 120 seems a lot finer, would totally shoot again!
I have long loved this film in 35mm so when I got a 120 camera, Diana F+, it was a no brainer to try it in 120. The variable iso, 100 - 400, works perfectly with the Diana (as the camera has a rudimentary approach to aperture - either pinhole, sunny, a bit sunny or cloudy - so under exposure, which I've had when shooting a pure 100 iso film, is thankfully more difficult to achieve. The muted vintage tones also work brilliantly with the soft, dreamy focus.
In short I love this film in 35mm and absolutely adore it in 120, especially when shot with a Diana F+.
I didn’t get back into film photography for its accuracy and detail, if I wanted that I would use my digital camera. I got into analogue photography for the imperfections and the colour shifts. Thats why I love this film. It looks like you’re taking a photo with a nostalgic filter on. Like you would imagine a 1990s developed film would be like. The reds and blues pop beautifully and the other colours almost disappear, I have bleach bypassed before and this is not unlike that. 120 obviously has less grain but the grain never bothered me anyway. Really recommend. Maybe not for weddings or events but for grungy portraits and street shoot definitely.
I think I probably made the mistake of using this film for countryside landscapes. It might be better for urban/built up environments. Images came out duller than I expected even though it was a bright day -my error of judgement rather than anything to do with the quality of film.
