CineStill 400D - 120 Film


Pack Size: 1
Price:
Sale price£18.50

Pickup available at Analogue Wonderland HQ

Usually ready in 2-4 days

Carbon-neutral shipping on all orders

Description

Payment & Security

American Express Apple Pay Google Pay Klarna Mastercard PayPal Shop Pay Visa

Your payment information is processed securely. We do not store credit card details nor have access to your credit card information.

You may also like

Customer Reviews

Based on 12 reviews
83%
(10)
8%
(1)
0%
(0)
0%
(0)
8%
(1)
A
Alexandra (City of London, GB)
Perfect for: Great All-Rounder, Beginners, Landscapes
Accreditation Handles: @thatanaloggirl

I really love this film for the cinematic images it produces. The colours feel really rich and vibrant and the images are clear and very fine grain.

It has a halation effect around bright areas of the final image which cinestill is often known for. This effect isn't to everyone's taste so to be mindful of that before purchasing.

Overall, love this film and would definitely buy again!

S
Stu M. (Glasgow, GB)
Perfect for: Great All-Rounder, Landscapes, Street Photography, Architecture
Accreditation Handles: Instagram @nonstopgrain
Good, not perfect

This is a solid performer, looks better in 120 than 35mm in my experience but you'll get some solid results. Is it as good as Portra 400? No, but it's nice to have another 400 speed colour option.

P
Pete (Leicester, GB)
Perfect for: Creative/Abstract
unpredictable, colour shifts, tricky, ..

Not a film I would be tempted to use again. I tested this film in a variety of conditions, and I am afraid I cannot agree with the description at all; grain is bearable, daylight balanced definitely not. the colour palette is far from soft and the colour shifts are rather disturbing. Saturation of reds and magentas is unnatural and other worldly, orange and yellow is always saturated to an extent that I find less than pleasing. Human skin also looks largely unnaturally tanned; the wide dynamic range is an exaggeration and I would say it is fairly easy to blow any highlights in a high contrast environment or in a well lit sunny situation. In fact I noticed it almost seems that colour shifts depend on the angle / direction of the light as well as its intensity. Very disappointing. (Their 800T seems more predictable with and without filters outdoors (can sometimes perform well without the filter) and indoors giving otherwise mundane urban environment some spark)
I would not want to push this film but would be interested to know what happens if you pull it. This is unpredictable film which seems to bleach blues and alter all reds, sometimes saturating them beyond a pleasing hue and sometimes turning light pink shades into full purple and violet; the claim that you can use it under 'virtually any lighting conditions' assumes you do not mind ending up with somewhat Lynchian result and often unpredictable result; a lot of blues get bleached it does not seem to have much sensitivity to any azure or turquoise hues; notice the pail stain of polluted scum on the surface of the lake which in reality was bright turquoise. The petals and flowers' variety of pinks turned all oversaturated purple and violet..
CineStill long term tradition seems to be that of half-baked products. In this case not a film I would want to use regularly.

S
Scott C. (Glasgow, GB)
Perfect for: Great All-Rounder, Portraits, Landscapes, Travel
Accreditation Handles: @analogue_canvas
One of my new favourite filmstocks!

Loving this film, got it in a mystery box and might have never tried it as I stick with Cinestills 800T mostly from the Cinestill family. So glad I tried it, got some of my favourite photos on it! Lovely colours, the imperfections really add charm and character to your shots. Cannot

G
Graeme J. (Manchester, GB)
Perfect for: Great All-Rounder, Beginners
Very nice film stock

I liked the contrast and saturation. Shadow recovery is good and I can live with the slight halation.

Be Inspired by the Film Community

Recently viewed