Delta 400 is a great film where you can't go far wrong. It'll still produce useable results when under and overexposed and can be developed in a wide variety of different chemicals.

Still the most universal film stock - suits basically anything from from portraits to landscapes. The latest batches are more sensitive to developer, but still has the same excellent qualities.

This is the film I turn to when I'm shooting some special. Grain is small and images always look great.

To confirm, this roll was pushed two stops, and it performed really well in my opinion. The two frames I've shared had slightly different lighting intensities. Both are lit with venetian blinds and sunlight only. My son was with diffused light (clouds), and my daughter got blasted with golden post-rain sunlight.

In both instances, I love the result. When shooting in a high contrast environment, I like what happens. That being said, I'm delighted with the latitude available on the diffused portrait.

The one thing I would say is that I didn't shoot any of this outdoors, so I can't speak to its performance there, but I will definitely be giving it another shot in the future.

I didn't use Delta 400 for ages because, not having a darkroom, and with more limited access to commercial development, I focused on digital for some time. When I started using film, I avoided it for quite a while, until I came across a shot I'd taken with my Rolleiflex in Venice. Not my most original shot, but a nice, classic one all the same, my own scan. The quality of Delta 400 is obvious, especially in120, such lovely tonality.

I love the fine grain, and punchy look without being overly constrasty

Best of all in medium format for incredible detail. Sample negative shown was rated at 800 ISO and developed in Adox XT-3 (an Xtol clone) at a dilution of 1+1.

I have used Delta 400 in 35mm before and had good results. Medium format yields similar good results. It is sufficiently fast to cope with most things and being medium format means grain is kept to a minimum. It gives a good contrast and tonal range.

An amazing and affordable 120 filmstock from Ilford.
It gives ultra-fine grain for very sharp shots, good tonal range for the blacks, and decent exposure in various lighting conditions. It's also perfect for portraits.

Highly recommend!!

First time trying this film and got some great and detailed results. Tried with a red filter and clear blue skies to get a great shot

On a recent visit to North West England, and staying with my good pal and fellow photographer, Jim Graves, we just had to go out for a photo session, and this time chose to visit Kirkby Lonsdale in the Lake District National Park.
I had loaded my Mamiyaflex C2 with Delta 400 that I shot at box speed as it was a reasonably nice, if somewhat chilly, late February day. The light was a little challenging at times, but it was a very enjoyable afternoon.
Now back in Norfolk, I developed the film in 510 Pyro for 12¼ minutes at 20°C, and the results speak for themselves.
Give it a try, you might like it!!

I used a roll of Delta 400 in my Goodman Zone Z1 after not having used the camera for a while. I was amazed that I remember what to do and got a couple of decent photos. I could have used a cheaper film, but having not used Delta 400 in medium format I gave it a try. It's a great film for all skills levels.

This is a lovely film, a bit more expensive than the other 400 ISO options HP5+ and Kentmere 400 but for that extra money you get sharper images with finer grain. However there is less exposure latitude so you need to get your exposure correct, something that you can recover a bit with stand development but otherwise can give a contrasty look that many people prefer.

Great film. It's been a while since I've used it and forgotten just how clean it can be. Lovely tonality with rich blacks and lots of detail.

Yep, I used Delta 400 in a Holga 120, it was the only 400 ASA 120 stock I had to hand.
Even with the limitations of the camera, it doesn't hide that Delta 400 is an excellent film, with great tonal range without sacrificing the black and white areas, resulting in both solid contrast with a wide range of grey tones. Add in the visible, but wonderfully even grain, that while more visible than Delta 100, doesn't overly detract from the images.